{"id":1453,"date":"2023-09-01T09:30:09","date_gmt":"2023-09-01T09:30:09","guid":{"rendered":"https:\/\/marcelokohn.com\/?page_id=1453"},"modified":"2026-03-03T15:55:52","modified_gmt":"2026-03-03T15:55:52","slug":"fragmentacion","status":"publish","type":"page","link":"https:\/\/marcelokohn.com\/en\/home\/portafolio\/fragmentacion\/","title":{"rendered":"Fragmentation"},"content":{"rendered":"
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Fragmentation<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Photographic series of 4 shots.
\nLimited series in development.
\nGroup exhibition Mandr\u00e1gora at Casa de Lo Matta, March 2025.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Fragmentation<\/em> explores identity at the moment when the face\u2014its primary guarantor in contemporary culture\u2014disappears. By covering it, the work shifts recognition away from visual certainty toward an unstable territory where essential questions emerge: who am I, where do I come from, what constitutes me.<\/p>

Fragmented figures, suspended bodies, and oneiric settings interrupt narrative logic and propose states of consciousness rather than descriptive scenes. Within this space, identity is constructed and dismantled through social, emotional, and biological layers, with no possibility of definitive closure.<\/p>

The work pays tribute to artists from the surrealist imaginary such as Ren\u00e9 Magritte<\/strong>, Salvador Dal\u00ed<\/strong>, Giorgio de Chirico<\/strong>, Mati Klarwein<\/strong>, and Ravassa<\/strong>, establishing a dialogue with their symbolic and metaphysical universes.<\/p>

Here, the image does not seek to affirm, but to create tension. Fragmentation understands identity not as a fixed form, but as a process in constant transformation\u2014an open fissure where the self reveals itself as search, drift, and experience.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Fragmentaci\u00f3n Serie fotogr\u00e1fica de 4 tomas. Serie limitada en desarrollo. Muestra colectiva Mandr\u00e1gora en Casa de Lo Matta, Marzo 2025. Fragmentaci\u00f3n indaga la identidad cuando el rostro \u2014su principal garante en la cultura contempor\u00e1nea\u2014 desaparece. Al cubrirlo, la obra desplaza el reconocimiento desde la certeza visual hacia un territorio inestable, donde emergen preguntas esenciales: qui\u00e9n […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":9,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-1453","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"Victor Parra","author_link":"https:\/\/marcelokohn.com\/en\/author\/victor\/"},"uagb_comment_info":0,"uagb_excerpt":"Fragmentaci\u00f3n Serie fotogr\u00e1fica de 4 tomas. Serie limitada en desarrollo. Muestra colectiva Mandr\u00e1gora en Casa de Lo Matta, Marzo 2025. Fragmentaci\u00f3n indaga la identidad cuando el rostro \u2014su principal garante en la cultura contempor\u00e1nea\u2014 desaparece. Al cubrirlo, la obra desplaza el reconocimiento desde la certeza visual hacia un territorio inestable, donde emergen preguntas esenciales: qui\u00e9n…","_links":{"self":[{"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/pages\/1453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/comments?post=1453"}],"version-history":[{"count":28,"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/pages\/1453\/revisions"}],"predecessor-version":[{"id":2415,"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/pages\/1453\/revisions\/2415"}],"up":[{"embeddable":true,"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/marcelokohn.com\/en\/wp-json\/wp\/v2\/media?parent=1453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}